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Hanging Gardens:
Pliny and the Renaissance Garden
Hanging gardens frequently occur throughout
the history of the area and there are still the
remains of an elaborate terrace garden of the
type at Shiraz. The exact nature of the famous
Babylonian garden is known with reasonable certainty.
According to the best received view the garden
was a rectangular artificial hill on a base a
quarter of a mile square. From this base the
terraces ascended like steps, each one built
upon arches, so that beneath each terrace was
a cool covered promenade or series of rooms.
Terracing is the natural form of cultivation
for the mountain dweller. Upon every terrace
(the floor of which was the roof of the room
below it) were planted trees and shrubs, their
growth concealing the arched promenade which
ran below the terrace next above. The whole effect
was of a great tree-covered man-made mountain.
The technical difficulty of planting trees upon
roof tops was overcome by covering the stone
of the structure with a layer of reeds and asphalt
mixed with brick and gypsum, and over this a
layer of lead which in turn supported the earth.
So that there would be adequate depth for the
larger trees the pillars of the terraces below
were hollow and filled with soil through which
the roots could reach down into the heart of
the artificial mass of mould and masonry. What
no doubt commended it to a wondering ancient
world was the size and difficulty of the undertaking;
to us perhaps the nostalgia of the Median girl
is what stamps it on the memory. The great pyramidal
mountain does not sound attractive. Stripped
of their trees the hanging gardens are very like
what we know of the towers of Babel, temples
made in the plains for a mountain-dwelling god.
Coupled with this propensity for making artificial
hills, there developed also a kind of fortuitous
man-made hill known as a tell which also encouraged
the developing of terraced garden mounts. In
much of this part of the world building is still
carried out with mud bricks, as it has been for
6,000 years.
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